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Apparently, the Stahls had a lot of ideas for the house that were in stark contrast to what was proposed by Koenig. One such example was a butterfly roof that Buck had planned for the house, as well as curves throughout the design. The Stahl couple, Carlotta and Buck, bought the vacant land on which the Stahl house now prominently rests, in 1954. It was only in 1957 that Pierre Koenig was commissioned by the Stahls to design the popular home.
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Julius Shulman’s iconic nighttime photo of Case Study House #22—with its cantilevered glass-walled living room hovering above the city lights of sprawling Los Angeles—is arguably the most famous image of residential architecture. Yet the story behind this remarkable building—how it came into being and the experience of living there—is far less known. A deep and detailed account with abundant images, it’s a biography of a house and its owners—and the book’s first half, in particular, is a great read. It was taken at night in the 1960’s; two young women sitting in a modern, glass-walled living room perched on the edge of the Hollywood Hills. The valley below is lit up with twinkling lights for as far as you can see and their house seems to float over the city.
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The gridded streets of Los Angeles already smothered the flats, but the hills were still blanketed with trees and coastal scrub. The lot they coveted was not yet a scarce commodity, just one of many tempting spaces waiting for new construction. It was known to some locals as “Pecker Point,” a scenic overlook that happened to be a popular spot for necking.
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The Case Study Houses were beautiful experiments in residential architecture, all spawned from an Arts & Architecture project that lasted from 1945 to 1966. Production of the house started in the middle of the year in 1959 and was concluded in May 1960. The skin of the house was mainly constructed from glass and steel, popular materials for modern and international-style buildings.
The house is arranged in an L-shaped, with a wing in the bedrooms and common areas, extending into space, on the other, with the bathrooms in the intersection. Carlotta Stahl had seen the ground when she spent the weekend in a house on the other side. The owner was there by chance and the purchase was completed in only two and a half hours. Since 1962, the use of this house as a stage for film and advertising has provided a second source of income to Stahl. Carlotta left it empty if a home was needed during the shooting and rented a room at Chateau Marmont, just below the house in Sunset Boulevard. Stahl House is an attractive and fascinating building, so if you have enough time and want to visit it, it's a good idea to book as far in advance as possible, as tours usually sell out.
Chronicle Chroma The Stahl House: Case Study House #22: The Making of a Modernist Icon
Bruce and Shari said it’s about honoring how hard their parents worked to have the house and share it with others. While both the Case Study House No. 21 and Seidel House have the steel beams close-framed to form rectangles, holding large overhangs the deck and giving the appearance of building a bird on the verge of flight on a precipice. LAist is part of Southern California Public Radio, a member-supported public media network.
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Koenig took hands-on experimental risks to forge a new way of suburban living. He was devoted to using industrial, prefabricated, and economical materials, and he advocated the use of natural ventilation. After his tour of duty, he attended Pasadena City College for two years and ultimately earned his architecture degree at USC in 1952.
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She said that although she was unfamiliar with the house she felt that she and Shari connected on the idea of the family’s story being an important part of the book. Perhaps the most famous shot of the Stahl house, photographed by Julius Shulman in 1960. I found these photos from our 2009 visit to the Stahl House just this week, hidden in a set of photos I had snapped on my phone. I had thought the only pictures I had taken were lost forever in an hard drive failure, so I was thrilled to have the chance to, once again, enjoy this excellent view. The transparent glass walls is underscored by the open floor plans and finished metal panels of the cover plate, which appears to extend throughout the house from side to side without interruption.
Stahl House – This Hollywood Home Is a Film-Star
Furniture design company Design Within Reach recently furnished the Stahl interior with fresh new furniture pieces. After 4 years of paying off the mortgage for the house, Buck Stahl himself decided to start preparing the site for construction, without any building plans. He knew it would be a long and difficult process to prepare a flat surface to build his dream home on such a steep slope, which made the decision for him to start doing it himself, an easy one. In 1964, Koenig was asked to join the architecture faculty at USC, where he taught for forty years.
Below, we will be taking a look at the history of the Stahl house as well as answering the question of why the house is so popular. Case Study House #22, aka Stahl House, is a modernist styled house in the Hollywood Hills section of Los Angeles, California that was designed by Pierre Koenig. Photographic and anecdotal evidence suggests that the architect's client, Buck Stahl, may have provided an inspiration for the overall structure. John Entenza, editor of Arts & Architecture magazine, invited Koenig to participate in his Case Study House program in 1950, after seeing a home Koenig had designed as a student at USC.
Reproductive rights advocates say the issue has mobilized voters and report that people are seeking out signature-gatherers and asking about locations where their friends and family can sign to put abortion access on the ballot. Roughly 100 people gathered outside the Capitol early Wednesday at a Right for Life event to remind GOP lawmakers who might waver, and support the repeal, of their views. They prayed for lawmakers to “stand for those who cannot stand for themselves,” passing out plastic yellow flowers and red rose buds. Who hasn’t seen the iconic image of architect Pierre Koenig’s Stahl House (Case Study House #22), dramatically soaring over the Los Angeles basin?
Interestingly, however, the studies that did reach construction were almost all built in Los Angeles and neighboring suburbs. The program ran from 1945 to nearly 1965—almost 20 years in the making. The Stahl House was commissioned by the family in 1957 to Pierre Koenig after a long struggle to find an architect who would work with the difficult, steep terrain of the Hollywood Hills. However, it is this location that gives the home its breathtaking views of the city laid out below. The two-bedroom house features an astonishing 260-degree clear view from the mountains to the sea, which the owner, Buck Stahl, claimed was his idea.
Despite the intensity of their longing, the Stahls assumed they would never be able to afford this kind of real estate, not even with two incomes and no kids. Republicans have narrow majorities in both chambers of Arizona’s Legislature, and had blocked earlier repeal efforts in the two weeks since the Arizona Supreme Court ignited a political firestorm by reviving the Civil War-era law. The almost-complete ban on abortions in the state could go into effect as soon as June 8 if the State Legislature does not repeal it, the state’s attorney general said. Three Republicans joined with all 29 Democrats on Wednesday to support the repeal of the law, which predates Arizona’s statehood and provides no exceptions for rape or incest. In its third attempt to repeal the ban, the Arizona House of Representatives voted in favor of the repeal—Republican Reps. Matthew Gress, Justin Wilmeth and Tim Dunn crossed party lines to vote with all the House Democrats. Baker and three friends observed the House proceedings from the gallery, then left to join a rally outside the House in support of a citizen initiative to write abortion rights into the Arizona Constitution in November.
There is a chance that if a repeal is approved by the House, the measure could be sent to the Senate immediately, but it would take several days of work before it could be up for a final vote. Democrats had counted on Rep. David Cook’s support for the repeal motion. ”The last thing we should be doing today is repealing a law that has been enacted and reaffirmed by the Legislature several times,” he said. He defended the court’s ruling, as he urged lawmakers to reject the call for a repeal. Stahl Hamilton, a Tucson Democrat who sponsored House Bill 2677, predicted if Republicans continue to refuse to allow a vote on repeal, they will pay a price in this year’s elections. But in the Senate, Republicans Ken Bennett of Prescott, T.J. Shope of Coolidge and Shawnna Bolick of Phoenix joined Democrats to reject three GOP attempts to shut down a vote to introduce a repeal bill.
An embodiment of the California lifestyle, this informal plan allowed the hosts in the kitchen to converse with guests in the dining area through a long, open, pass-through window underneath a row of high ribbon cabinets. The exposed beam roof extends seven feet over the terrace and edge of the pool to shade the interior from the sun. True to the ethos of the Case Study House Program, the design and choice of materials allowed for quick, easy construction.
Despite the glamorous women, the lights of Los Angeles, and the fashionable Van Keppel-Green furniture, the allure of the Shulman photograph is the house itself. The glass-and-steel-framed “jewel box” represented a new building style—a modernist postwar house built of mass-produced, prefabricated, standardized parts. This glass house fulfilled postwar promises made by countless shelter magazines featuring “brighter,” “more cheerful” small houses that offered everyone a piece of the American Dream. Buck Stahl had envisioned a modernist glass and steel constructed house that offered panoramic views of Los Angeles when he originally purchased the land for the house in 1954 for $13,500. Stahl had originally begun to excavate and take on the duties of architect and contractor; it was not until 1957 when Stahl hired Pierre Koenig to take over the design of the family’s residence.
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